Rivista di filologia e letterature ispaniche (2018). Vol. 21

Sommario Articoli «Semper moritur et nunquam mortuus est qui amat». On the death of the lover in some texts of the Spanish Middle Ages Kevin Matos, pp. 9-41 Lope de Vega and the writing process of La pobreza estimada: between the loyalty to Miseno and the adaptation to his Byzantine plays Daniel Fernández Rodríguez, pp. 43-60 Don Juan and the discourse of seduction: the two ways of textual transmission Alfredo Rodríguez López-Vázquez, pp. 61-78 Miguel Delibes’ diaristic trilogy (1955-1995), or the praise of daily routine Renata Londero, pp. 79-94 The “indio” and the “señor”: The social class in José María Arguedas’ El sueño del pongo Paola Mancosu, pp. 95-106 About (postmodern) fantastic in contemporary Spanish drama Veronica Orazi, pp. 107-124 If we want things to change, things will have to stay as they are: adaptation in Javier Tomeo’s Pecados griegos Rodrigo Guijarro Lasheras, pp. 125-140 Reformulation and popularization of languages for specific purposes: the scientific and technical texts Daniela Zizi, pp. 141-162 Dal convegno su “Dante en La Celestina: Itinerarios del deseo”. Barcelona (UB), 9-10 de octubre de 2017 «Quando i’ fui preso». The “first lovers’ encounter” from Dante to Fernando de Rojas Antonio Gargano, 167-190 Spatial metaphors of desire in the Divina Commedia and in La Celestina Gemma Gorga López, pp. 191-200 The expressions of illicit passion: literary disguise of desire (Inferno, V and La Celestina) Ines Ravasini, pp. 201-221 Melibea, a Beatrice in Inferno Guillermo Serés, pp. 223-242 Dante in La celestina : conflicts or textual contiendas Juan Miguel Valero Moreno, pp. 243-283 Recensioni De lagrymas fasiendo tinta… Memorias, Identidades y Territorios cancioneriles, editado por Virginie Dumanoir, Madrid, Casa de Velázquez, 2017, pp. xiv-329 Giuseppe Di Stefano, pp. 287-291 Un lungo respiro, ed. por María Cecilia Graña, Salerno 2018 Carmen Bonasera, pp. 293-296