Imago. Studi di cinema e media. Ediz. italiana e inglese. Dossier. Re-animation. L'animazione contemporanea tra cinema, televisione, videoarte e nuovi media (Vol. 16)

Christian Uva e Paul Wells, Premessa\r\nValentino Catricalà, Rileggere i miti. Animazione e archeologia dei media\r\nAndrea Rabbito, La realtà liquida delle nuove forme di animazione contemporanea\r\nGiacomo Ravesi, L’impronta e l’immagine animata. L’opera di Leonardo Carrano\r\nAnitha Balachandran, Re-animated Avatar: A Motion-Capture Hero in South Asia\r\nMarco Bellano, Contemporary 3D CG Animation and the “Uncanny Valley”: Estrangements and Returns\r\nPaul Wells, Playing on the Animation Spectrum: Sport and Visualisation\r\nCristina Formenti, Flourished in Reaction: The Animated Docufiction and Its Growth in “Response” to the Phenomenon of Digitalization\r\nKyoung-Suk Sung, When Animation Meets Historical Taboo: Remembrance Through the Depiction of Comfort Women in Korean Animated Documentary\r\nElena Furlanetto e Dietmar Meinel, Kind Dragons and Skinny Vikings: Post- Heroism and the White Savior in How To Train your Dragon (2010)\r\nChristian Uva, «The Origin is the Goal». Pixar an